Tag: fantasy (page 1 of 4)

Interview with Author Taylor Everett Brown

Taylor Everett Brown’s book Rootless is an adventure story set in the fictional (and fantastic!) realm of Pateramor. He kindly answered some questions for us so we can learn more about the story behind Rootless and about him, the author behind the story.

Can you tell us a little bit about yourself?

Sure, I’m a giant nerd who aspires to great adventures, fantastic romance, and saintly holiness. And, every once in a while, I come close to reaching those aspirations.

For example, I once managed to pluck a diamond out of the glittering, salty sea-spray of the Texas coast. Realizing the miraculous nature of what had taken place, I dropped to a knee and proposed to my (now) wife, stunning her just long enough to secure a “yes” and sweep her off her feet!

Since then we have set about the serious(ly fun) business of building a home and filling it with amazing children.

And on a related note, I am certain that I am called to the vocation of fatherhood because I have been telling dad-jokes my entire life.

Rootless, by Taylor Everett Brown | Little Book, Big Story

What inspired you to write Rootless?

I’ve always enjoyed faerie tale stories, whether they came in books, video games, or songs. And, as faerie tales tend to do, they inspired my own musings on the origins of magical worlds, fantastical beasts, and wonderful peoples.

I started capturing those ideas and writing them down while I was in college and, after more than a decade, they had grown into a living breathing world. I knew it was special and I wanted to do something with it. I just lacked the resolve and the focus. Then my son, Everett, came along and provided the spark I needed to write my first story in the world of Pateramor.

I thought it would be so much fun to write a little bedtime story, starring my son, that I could read to him throughout his childhood. Well, the bedtime story turned into a series of bedtime stories and, finally, into the full novel, Rootless. I was so happy with it, I decided to publish it.

An Interview with Author Taylor Everett Brown | Little Book, Big Story

I loved reading about the different forests of Pateramor. Which part of Pateramor would you most like to visit?

It makes me so happy to hear you say you loved reading about the forests. I wanted the forests to be like characters in the book, each with their own personality, feel, and quirks. I really enjoyed writing about them.

Rootless takes place in the Kingdom of Windfall, which is only one small part of the world of Pateramor. But even just in Windfall, there are so many places I would like to visit. From the serenity and solitude of the Singing Mountains to the hand-made grandeur of Fortuna to the other-worldly beauty of the glowing forest. It’s hard to choose!

But, for me, I think the dragon forest edges out the rest of the destinations. I just love dragonapple trees. Everything about them, from their warmth, to their giant fruit, to the ecosystem they create is intriguing.

And, between you and me, I will admit that I designed the dragonapples to really appeal to someone with my taste buds. That mixture of sweet and spicy is something that I relish. I would love to try one.

Of course, what really seals the deal is the dragons. Who doesn’t want to see dragons? Especially dragons as exhilarating and as beautiful as phytodrakes?

Rootless, by Taylor Everett Brown | Little Book, Big Story

What are some of your favorite books? Which ones particularly fuel your writing?

I recently read Augustine’s Confessions and it is incredible! It reads as easily as a modern novel and the troubles he deals with in his life are so easy to relate to . . . and yet it was written 1600 years ago!

The Count of Monte Cristo by Alexander Dumas is one of my all-time favorite books. It’s thrilling and inspiring from beginning to end, which is saying something given how much story it packs between its covers.

I also really enjoy reading anything by C.S. Lewis. One gem of his that not many talk about is Perelandra from his sci-fi trilogy. C.S. Lewis is so good at speaking about evil and there’s a scene in the second book where he explores what it was like when Eve was tempted in Eden. It is deliciously terrifying!

But in the end, J.R.R. Tolkien is still my favorite. When I need to get inspired to write I reach for him. The completeness of his world, the beauty of his language, and the sheer size of his story, you just can’t beat it. I can re-read his books over and over and I am always in awe.

Can we look forward to any new books from you?

You know, I do have a second son now, Augustine Michael Brown. And it would be a shame for him to grow up hearing and reading about his brother going on faerie tale journeys and not have any himself.

Yes! I am thrilled to announce that I have begun writing a second story in the world of Pateramor! I’m aiming to complete it before the end of the year. So stay tuned!

Rootless, by Taylor Everett Brown | Little Book, Big Story

Is there anything else you’d like to share with us?

Always! If you want to know more about the me, the books, or the world of Pateramor, I encourage you to go and explore Pateramor.com. I’m slowly building up a treasure trove of information on that website to fill in the blanks between the books.

For example, right now there’s a great article on the race of little inventors called the Munchkins (to which readers were introduced in Rootless). And I hope to soon publish an article on their “superior” brand of technology called “munchkintech”.

Check it out and let me know what you think!

Rootless | Taylor Everett Brown

Not long ago, I was the proving ground for our family’s books. But now Lydia has reached an age where I can trust her to discern tricky themes and talk with me about them—and she reads much, much faster than I do. I can’t keep her waiting for every single book.

So when Taylor Everett Brown explained, in an email, how his passion as a Christian, parent, and writer converged as he wrote this book, I had no qualms about handing his book to Lydia first, with the stipulation that she tell me, in detail, how she liked it. The only question—and it was one that made me nervous—was whether this book was any good.

By way of an answer, Lydia read it through twice. She urged me to read it. With her endorsement, I read it and found that Taylor Everett Brown is not only a kindred spirit—he is also a promising storyteller.

Rootless, by Taylor Everett Brown | Little Book, Big Story

Rootless follows the journey of Everett and his friend Rrrwin, an Ent-like creature who suffers from a terminal root defect, as they travel through the country of Pateramor, on a quest to see all seven of the land’s forests before Rrrwin’s death. I will be perfectly honest and let you know that this book is self-published by a brand-new author, and there are areas where I am excited to see Taylor Brown grow as a writer. But I want to see him grow as a writer: the story itself is fascinating; his characters struggle with some genuine doubts and conflicts; and the forests, when they reach them, are incredibly inventive. Lydia and I both finished the book with the desire to read more about Pateramor, for surely, there is much, much more than forests to explore there.

Stay tuned!

I had the opportunity to interview Taylor Everett Brown and learn more about why he wrote Rootless and what it was like, and what we can expect from him in the future. Tune back in next week to read it.


Rootless: Adventures in the Seven Forests of Windfall
Taylor Everett Brown (2016)


Disclosure: I did receive a copy of this for review, but I was not obligated to review this book or compensated for my review in any way. I share this book with you because I love it, not because I was paid to do so.

Harry Potter | JK Rowling

I read the first five books when we were newly married. We lived in a studio apartment where the shag carpet smelt of hashbrowns, and our mattress doubled as both sofa and bed. While drunk college kids tossed bottles into the street outside and the glass shattered with a sound like waves on pavement, I opened Harry Potter and the Sorcerer’s Stone to the first page and read, “Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.”

We read that line to our two oldest daughters a few months ago and ushered them into the world of Hogwarts with us, where we trod shifting staircases, spoke with portraits, and savored chocolate frogs. Adding things like “rogue bludger” and “Alas, earwax” to our family lexicon brought all four of us a great deal of joy.

The Harry Potter Series, by JK Rowling | Little Book, Big Story

But I understand that many Christians have raised objections to Harry Potter. My point here is not to persuade you that you must read these books to your kids (though I will link later to someone who will try): I understand that our consciences prick us, sometimes, at different points, and it is not my desire to deaden your sensitivity to that. And I know, too, that a number of you love fairy tales or share with me a fondness for The Wingfeather Saga. You folks are probably familiar with the armchairs of the Gryffindor common room and don’t need me to recommend books that you have read several times already.

Why, then, am I reviewing Harry Potter?

The Harry Potter Series, by JK Rowling | Little Book, Big Story

Because what I really want to talk about is magic. Magic is a one of many threads in the Harry Potter books, but because it is viewed askance by many Christians, it tends to be the one skeptical reviewers highlight. Yes, the characters cast spells; they attend a school called a “the school of witchcraft and wizardry.” And yes, seizing some form of power to achieve one’s own ends is evil, both in our world and in the worlds of fairy tale and fantasy. JK Rowling does not celebrate that sort of magic—sorcery, really—but draws a clear line between the Dark Arts and the kind of magic most of the characters in Harry Potter employ.

That magic is a gift they have been given, one that they are sent to Hogwarts to cultivate.

The Harry Potter Series, by JK Rowling | Little Book, Big Story

One of the central themes of the series, one that is much more potent than the mere fact of casting spells, is the contrast between Harry, who rejects the Dark Arts despite moments of temptation, and Voldemort, who manipulates the Dark Arts to achieve his own horrible ends. Both are considered great wizards, but Harry uses his power to protect those he loves and those who come after him. Voldemort uses his to do “terrible things.”

JK Rowling’s story does not glorify the practice of sorcery. She does not send us away from the books with a desire to be brutal like Voldemort, or treacherous or cowardly, as many of Voldemort’s Death Eaters are. Instead, we close the pages wanting to be brave like Harry and his friends, or to be the sort of person, Muggle or magical, who is willing to lay our lives down for one another in love.

The Harry Potter Series, by JK Rowling | Little Book, Big Story

We read only the first two books to our girls this year—the rest will wait a few years more until they’re ready for deeper discussions. But when I found Lydia and Sarah on the neighbor’s trampoline, giggling and shouting “Wingardium leviosa!” at one another just before a really big jump, I did not fear for their souls: the sort of magic they practice is the magic of childhood, the sort that allows them to leap and for a moment, believe that they are flying. That is a magic rooted firmly in this world, and it’s one our children are born with, Muggle though they may be.


Want to read more about HArry?

Haley Stewart, at Carrots for Michaelmas, makes a compelling argument for “Why Your Kids Need to Read Harry Potter.”

Andrew Peterson (author of The Wingfeather Saga) wrote a piece about Potter that is just beautiful.

ND Wilson’s thoughts on magic largely informed my view of it. You can read an article he wrote on about this for Desiring God, or you can listen to his episode, “Magic and Fear in Children’s Books,” of the Read-Aloud Revival podcast (that episode is, for the record, my all-time favorite so far).

The Harry Potter Series, by JK Rowling | Little Book, Big Story

A note on illustrations

We love the new, large-format versions of these books, illustrated by Jim Kay, but I should warn you: the illustrations are much darker than the originals by Mary GrandPré. I personally preferred reading the original editions of the books, but Jim Kay’s illustrations are eerie and striking, and we just kept returning to them (you can get a glimpse of Kay’s work in this charming video). Mitch and the girls loved both editions, so we ended up toggling back and forth between the two as we read. I have linked to both below.


The Complete Harry Potter Series
JK Rowling (1997-2007)

Harry Potter and the Sorcerer’s Stone
Harry Potter and the Chamber of Secrets
Harry Potter and the Prisoner of Azkaban (pre-order)
JK Rowling, Jim Kay (2015-2017)

The Door Before | ND Wilson

Is there a better moment for a bookworm than the one when a favorite author announces that his newest book will be a reentry into the world of one of his most beloved series? I doubt it. But is there a more depressing moment than the one that comes when a reader realizes, halfway through the new book, that the original series was better without the late entry? No. After a few experiences of that sort, I’ve come to regard announcements like this one with an immediate rush of joy (a return ticket to a beloved world!) followed by apprehension (But what if it’s like Clariel?).

But when ND Wilson announced The Door Before, a prequel to his 100 Cupboards trilogy, the apprehension didn’t flood over me, but only lapped quietly at my toes. If anyone could do it, I thought, ND Wilson could.

And he did. He did it right.

The Door Before, by ND Wilson | Little Book, Big Story

The Door Before introduces us to new aspects of Wilson’s ever-expanding world, and masterfully links  (so I hear) this series to his Ashtown Burials series. Because I haven’t yet read that other series (I have been saving it, so I’ll never not have an ND Wilson series to look forward to), I can’t comment much on how delightful that is, except in theory. But I can tell you that the story of The Door Before is a powerful force, and I was swept into it immediately.

The Door Before answers old questions and raises new ones, and makes the world(s) of 100 Cupboards seem both bigger and more well-ordered than before. Old characters appear throughout this book, and I wanted to cheer when I met them, the way we do when an old friend saunters onscreen during a new Star Wars movie. But I couldn’t, because Mitch hasn’t read the book yet. I cheered inwardly, ate some chocolate, and kept reading.

The 100 Cupboards series, by ND Wilson | Little Book, Big Story

Every book I read by ND Wilson cements his place at the top of my list of favorite authors—the way he views our world and his created world, the way he gives his characters room to move and make gut-wrenching decisions, enables him to craft stories that are intense and sometimes gruesome but always strangely beautiful, too.

 The Door Before is a welcome addition to the 100 Cupboards collection—one I can’t wait to reread alongside the original trilogy and the Ashtown Burials series in a giant ND Wilson binge.


The Door Before
ND Wilson (2017)


also

My dear friend Jennifer Harris interviewed me on her blog Every Morning, New Mercies! You can read the interview here  and learn more about why I started this blog, how I know I’ve found a book worth reviewing, and when I fell in love with classics. But you should stick around and read her posts, too! “The Hospitality of Frog and Toad” is one of my favorites, as is her piece (featured in “The Warren & the World”) about Charlotte’s WebAnd her post on the myth of balance is just lovely.

Where the Mountain Meets the Moon (Trilogy) | Grace Lin

Lydia marched downstairs, her copy of Cricket open to the page titled “Cricket Readers Recommend.”

“I want to do this,” she said, holding it out for me to read. And lo! “Cricket Readers Recommend” is a page dedicated to kid-written book reviews. My daughter was telling me she wanted to write and submit a book review for general consumption.

My cheeks pinked; my eyes watered. I sniffled (just a little). “Of course,” I said, assuming she’d write about one of her well-worn Redwall novels.

But: “I want to write about my new favorite book,” she said, and the smile she gave me was full not of courageous mousemaids, but of undersea avenues lit by pearls, of magistrates turned to tigers, of sorrow sealed into a stone. “When the Sea Turned to Silver. You’d like it, Mom—it’s beautiful.”

Where the Mountain Meets the Moon (Trilogy), by Grace Lin | Little Book, Big Story

She was right. I started it later that day, and it was beautiful.

When the Sea Turns to Silver is the third in a trilogy of books by Grace Lin—the only one I hadn’t yet read. The other two (Starry River of the Sky and Newbery Honor book Where the Mountain Meets the Moon) had been sitting on my list of books to review for over a year, suffering the same fate as The Rise and Fall of Mount Majestic: I loved them. I wanted to share them with you. But how could I possibly describe those books?

Where the Mountain Meets the Moon (Trilogy), by Grace Lin | Little Book, Big Story

Grace Lin creates, in this trilogy, a mixed media collage: fantasy, fairy tale, and historical fiction all overlap to create a new sort of story set in a world infused with the colors, flavors, and textures of Lin’s Chinese and Taiiwanese heritage. Even the illustrations (also done by Lin) and the book design have an ever-changing aspect that suits each story.

But Lydia’s review sums the book up nicely (and I think her last few sentences apply perfectly to the whole trilogy):

Pinmei, a shy little girl, has always lived on the Endless Mountain with her grandmother, Amah. But when the emperor takes Amah, Pinmei and her best friend Yishan go on a quest to save her. The story is a mixture of fantasy and reality with stories that come true and characters that were thought not to be real. The twists and turns are mysterious and secretive. You should really read it!

We have read many (perhaps most?) of Grace Lin’s books, and we’ve yet to meet one we didn’t love. But this trilogy is our favorite. I can’t wait to share it with my younger daughters and, with Lydia’s nudging, I couldn’t wait any longer to share it with you.

Where the Mountain Meets the Moon (Trilogy), by Grace Lin | Little Book, Big Story


Starry River of the Sky (2014)
Where the Mountain Meets the Moon (2011)
When the Sea Turns to Silver (2016)
Grace Lin

Sophie Quire and the Last Storyguard | Jonathan Auxier

Peter Nimble and His Fantastic Eyes won me over quietly—I almost didn’t see it happening. Jonathan Auxier’s story of an orphaned thief who eyes were (eep!) pecked out by ravens has a wit and charm and enough unexpected quirks to make it unlike any other books I’ve read. I liked it. I passed it on to Lydia, who loved it. But for some reason (maybe it was the thieving? Or the crows?), I didn’t immediately review it for this blog.

But then I read Sophie Quire and the Last Storyguard.

Sophie Quire and the Last Storyguard, by Jonathan Auxier | Little Book, Big Story

There was nothing subtle about the way this book won me over: affection for it roared over me like a semi truck, overtaking me so abruptly that, at one point, I thumped the cover at Mitch while I read and announced, “Oh my word, I love this book!” before diving back into the story. It was the sort of book I adored so much, so immediately, that I kept my fingers metaphorically crossed for the rest of the book in the hope that the ending wouldn’t fizzle.

It didn’t.

This book is glorious from start to finish.

Sophie Quire and the Last Storyguard, by Jonathan Auxier | Little Book, Big Story

Sophie Quire is a sequel to Peter Nimble, in that it happens after Peter Nimble and His Fantastic Eyes, Peter Nimble is in it, and it was written by the same author. But it might be more accurate to call it a companion book, I don’t know, because the main character here is Sophie Quire, a young bookmender in the city of Bustleburgh, which is currently banishing nonsense in all its forms. When she meets a certain blind thief and takes on an unlikely commission, everything in Sophie’s life changes.

Jonathan Auxier’s writing is as exhilarating in this book as it is in The Night Gardener and Peter Nimble. His characters are bizarre and loveable, and through their adventures, Auxier explores (among other things) the importance of stories and nonsense. Sophie Quire and the Last Storyguard is a beautiful book, one that has a deeper layer of truth underneath the story, waiting for those willing to look for it.

Sophie Quire and the Last Storyguard, by Jonathan Auxier | Little Book, Big Story


Peter Nimble and His Fantastic Eyes
Jonathan Auxier (2012)

Sophie Quire and the Last Storyguard
Jonathan Auxier (2017)

Breadcrumbs | Anne Ursu

Some authors play with language in a showy way, a way that draws the reader’s eye away from the story and onto their clever wordplay, but not Anne Ursu. She shapes each scene with obvious enjoyment, but it’s the scene we see, not her masterful shaping of it. She plays with words in the quietest way, panning out suddenly from a scene until pieces we hadn’t noticed yet become vivid and living, or giving a word some unexpected tilt that brings a new facet of meaning to light.

The delight behind her writing drew me into Breadcrumbs—a thrift store findimmediately. But the story itself held me there.

Breadcrumbs, by Anne Ursu | Little Book, Big Story

Breadcrumbs travels over familiar ground: it is a coming-of-age tale, and a retelling of Hans Christian Andersen’s “The Snow Queen.” It could feel tired, too familiar. But it doesn’t.

The world Ursu constructs to house both the recognizable lives of her main characters and the cold enchantments of The Snow Queen is bewitching. The way she moves us from one to the other seems just right. When the main character, Hazel, sets out to rescue her best friend Jack from an enchantment she doesn’t fully understand, she finds that the world around her becomes less and less clearit grows harder to tell who is trustworthy and who is not. Through Hazel’s adventure, Ursu depicts the realistic confusion of coming-of-age without blurring the lines between good and evil.

Breadcrumbs, by Anne Ursu | Little Book, Big Story

One other thing I loved about Breadcrumbs, though, was Hazel. She’s inventive, brave, and the right kind of quirky. She’s loyal, kind, and bold. She is Indian, adopted at birth by American parents. Her struggle to place herself in her surroundings, to understand where she fitsas an adopted child, a child of recently divorced parents, a child who doesn’t look like those around heris a part of the story, but it isn’t what the story is about. The story is about a rescue, and the rescuer, in this case, is Hazel.

I loved Breadcrumbs. It is a beautiful book. But one of the things I loved best about it was that it introduced me not just to a new favorite story, but to a new favorite author. I can’t wait to see what else Anne Ursu has written.


Breadcrumbs
Anne Ursu (2013)