Tag: Preschool (page 21 of 30)

47 Beavers on the Big, Blue Sea

Phoebe pulled this book off the shelf the other day and slammed it down in my lap. Then she climbed up on the couch beside me, folded her hands, and waited. That girl knows how to get things done.

47 Beavers on the Big, Blue Sea, by Phil Vischer | Little Book, Big Story

And so we read 47 Beavers on the Big, Blue Sea. I had almost forgotten about this book, purchased when our seven year old was Phoebe’s size and read many, many times since then. Reading it to Phoebe reminded me of why I love Phil Vischer: though it doesn’t have the theological depth of Sidney and Norman or What’s in the Bible?, this book is hilarious, fun to read, and held together by a message that my daughters need to hear every so often: things work better when we work together.

47 Beavers on the Big, Blue Sea, by Phil Vischer | Little Book, Big Story

Jared Chapman’s illustrations make the whole thing feel like an old cartoon—Rocky & Bullwinkle, perhaps?—and add to the slapstick feel of the book’s comedy. And rediscovering this story reminds me that it’s good for a home library to have a wide range of books: sometimes, you need a long, thought-provoking story. And sometimes you need to read about forty-seven beavers at sea—with a shark.


47 Beavers on the Big, Blue Sea
Phil Vischer, Jared Chapman (2012)

God Made All of Me

I hate it that books like this one exist. I hate the fact that sexual abuse is something that we need to protect our children from and that it’s something we need to teach them about. But because it does exist (and because it happens shockingly often), I am thankful for authors like Justin and Lindsay Holcomb who are willing to take on a challenging and emotional subject and equip parents to handle it with grace.

God Made All of Me, by Justin and Lindsay Holcomb: A Book to Help Children Protect Their Bodies | Little Book, Big Story

But even though God Made All of Me addresses a dark and painful subject, the authors center the subject in a loving family discussion, so the overall tone of the book feels warm and secure. In the “Note to Parents,” they write,

We wrote this book as a tool so you can explain to your children that God made their bodies. Because private parts are private, there can be lots of questions, curiosity or shame regarding them. For their protection, children need to know about private parts and understand that God made their body and made it special. The message children need to hear is: “God made all of you. Every part of your body is good, and some parts are private.

That emphasis places the book not just within the context of a secure family but within the context of a secure worldview: God made us and he made us for good things. We have to be wary of those who would distort those good things and use them to their own ends, but we don’t have to view those good things with suspicion or fear. That’s a message I want my children to grow up knowing well.

God Made All of Me, by Justin and Lindsay Holcomb | Little Book, Big Story

God Made All of Me focuses on equipping children to recognize dangerous situations and to respond to them well. We do our best to protect our children, but there will be times when they are outside our protection and vulnerable to abuse, and when those come, our children need to know what to do. And so the authors discuss the difference between secrets (bad) and surprises (good!), and emphasize the fact that you don’t have to allow anyone to touch you:

If you don’t want to be hugged and kissed or give a high five or a handshake, just say, “No, thank you.” . . . . we don’t always want to be touched even if it’s by someone you love. If the person doesn’t listen to you, ask for help right away.

One of the children even raises the question (wisely), “But what if you or Daddy or my teacher are too busy to talk?” And the parents help him work out how to respond.

God Made All of Me, by Justin and Lindsay Holcomb | Little Book, Big Story

The book puts just enough emphasis on teaching children that they are in charge of their bodies, but it doesn’t stop there: it presents that information in a way that shows that they have a support network around them of parents, teachers, and doctors to talk to, so even though they are in charge of their bodies, they are not alone in protecting them.

This is a little book, but it’s one worth reading to your children. And while I hate having the conversations that remind our children that there are people out there who would hurt them, I’m thankful for a book like God Made All of Me that helps me share that information in a way that feels complete, empowering, and grace-centered. It becomes not something I tell them, but something we discuss together in the light of Scripture.


God Made All of Me: A Book to Help Children Protect Their Bodies
Justin S. Holcomb & Lindsay A. Holcomb, Trish Mahoney (2015)

Anna Hibiscus

I have a bittersweet relationship with early reader chapter books. I say “sweet” because those chapter books are legion: my daughters can check out seven books in a series and savor them throughout the week, and I don’t have to pre-read every one.

Anna Hibiscus, by Atinuke | Little Book, Big Story

But I also say “bitter” because many of the early reader series tend to be a bit flat: they incorporate interesting historical or geographical elements, but the characters remain pretty static and the stories tend toward the formulaic—I suppose they must if they’re to have fifty or more books per series. The more of these we borrow from the library, the more I find myself willing to settle for fewer books of better quality.

Anna Hibiscus, by Atinuke | Little Book, Big Story

Anna Hibiscus is the first early chapter book I’ve found that strikes both the educational and the character-rich chords at once. Anna Hibiscus lives in Africa (“Amazing Africa!”) with her Canadian mother, her African father, her twin baby brothers, and all her aunts, uncles, cousins, and grandparents. She doesn’t travel through time or make a single pun on the word “mouse,” but Anna Hibiscus does long for snow, love her family, and learn a bit about how truly wealthy she is.

Atinuke paints an enchanting picture of urban life in Africa through the musical language of her characters and through sweet stories about Anna herself, while Lauren Tobia’s illustrations portray a family life that is rich and vibrant, even in black and white drawings.

Anna HiAnna Hibiscus, by Atinuke | Little Book, Big Storybiscus, by Atinuke | Little Book, Big Story

I found myself actually wanting to read these books aloud to my daughters—rare praise for a genre that caters toward independent readers! There aren’t many books in this series, which gives me hope that the rest of them will be as well-written (and charmingly illustrated) as the first.


Anna Hibiscus
Atinuke, Lauren Tobia (2010)

The Biggest Story

Every now and then an author best known for writing nonfiction tries their hand at writing for children. Sometimes it works. Sometimes it doesn’t.

Authors accustomed to writing for adults sometimes think that writing for children means “say it slowly and simply” and so they distill big concepts down into pre-digested bits. Madeleine L’Engle thought differently. In Walking On Water, she wrote,

When I am grappling with ideas which are radical enough to upset grown-ups, then I am likely to put these ideas into a story which will be marketed for children, because children understand what their parents have rejected and forgotten.

The best authors understand this, whether they make it their business to write specifically for children or not.

The Biggest Story by Kevin DeYoung and Don Clark | Little Book, Big Story

But Kevin DeYoung gets this. The language in his first book for children is simple, but the story is grand: in the “Note to Parents,” he shares that the book began as a sermon series shared with his whole congregation, not as a Sunday school lesson aimed at kids. He acknowledges that some of the images and allusions will be difficult for children and parents to grasp, but he doesn’t apologize for it.

Instead he aims high and presents a book that is not based on a particular Bible story, nor is it a story bible. What it is, I suppose, is a picture book about the entire Bible. DeYoung breaks the story into chapters and covers many of the best-known Bible stories, but he shows how they each have a place in the story that the Lord is, even now, unfolding.

The Biggest Story, by Kevin DeYoung and Don Clark | Little Book, Big Story

The illustrations in this book deserve extra praise: Don Clark’s work is phenomenal. Every page is gorgeous—beautifully designed and vividly illustrated—but I want to give him extra credit for illustrating some of the more abstract elements of Scripture in a way that is striking. Take, for example, the picture of the world after the entrance of sin:

Before the Flood, from The Biggest Story, by Kevin DeYoung and Don Clark | Little Book, Big Story

Or this one of the Resurrection:

The Resurrection, from The Biggest Story by Kevin DeYoung and Don Clark | Little Book, Big Story

His renditions of familiar stories give the stories new life. Look at his interpretation of David and Goliath:

David and Goliath, from The Biggest Story by Kevin DeYoung and Don Clark | Little Book, Big Story

And of the Nativity:

The Nativity, from The Biggest Story by Kevin DeYoung and Don Clark | Little Book, Big Story

But while the addition of a book so beautiful in both form and content to our family’s library is something to celebrate, the real celebration at our house this week is in honor of Sarah, who has gone from this . . .

Little Book, Big Story

. . . to this.

Little Book, Big Story

in what feels like a matter of moments. Don’t tell her yet, but this book is one of her gifts! We’ll celebrate her birthday by eating ice cream sundaes in our pajamas, riding bikes crazily around the block, making pancakes and mac-and-cheese, curling up on the couch and reading book after book after book—in other words, living the dream life of this particular five-year-old. It’ll be great.

One Last Thing

I know there are a variety of opinions out there on how Jesus should be depicted in illustrated books, and this book deals with that subject gracefully. The Spirit is shown as a dove and God the Father as a blazing light, while Jesus remains compellingly just off stage. Whatever your convictions, this book should suit them.

The Biggest Story by Kevin DeYoung and Don Clark | Little Book, Big Story

The Gospel Story Bible

We live in an exciting time, folks. Say what you like about information overload or environmental threats or the public school system—when it comes to story Bibles, we live in a great time. There seem to be new story Bibles published each year, of such a depth and quality that we, as adults, are blessed by them! Kids like them, too, of course, but when I sit and read to my children and know that I’m not only hearing old tales retold but am being reminded of the One who originally authored them, I know that something fabulous is happening in my heart and in the little hearts beside me.

We have many story Bibles, but find ourselves returning to a proven few: The Jesus Storybook Bible, The Big Picture Story Bible and today’s guest of honor, The Gospel Story Bible.

In his introduction, Machowski says, “It’s possible to simplify Bible stories so much that you edit out important gospel connections to God’s larger plan of salvation . . . Old Testament stories point forward to Jesus. New Testament stories point to the cross. The goal is to thread each of the 156 stories like beads on the silk thread of the gospel, creating one picture with them all.”

Isn’t that beautiful?

What we love best about this Bible is the fact that it represents a vast swath of Scripture, including stories that are often glossed over or ignored by other authors. I mean, there are six stories about Jacob alone, whose questionable choices leave him somewhat under-represented in children’s literature, as well as passages from the prophets and a few of the less savory moments from Israel’s exile.

Even the story of Sodom and Gomorrah is included, in a graceful telling that leaves out details of the cities’ explicit sins and focuses instead on the fact that the people rejected and despised God—in the same way that we all have. “We want to stay in our world of sin,” Machowski writes, “so God reaches down and gives us the faith we need to believe. Then God draws us away from sin to the safety of his Son Jesus.”

I respect an author who doesn’t shy away from the more challenging parts of Scripture, but who tells them well and uses those stories to display, again and again, the goodness and grace of God and his unswerving plan to redeem his creation, no matter how far we fall, or how fully we deny him. These challenging stories give rise to interesting discussions, so be prepared to engage with your kids: you can’t get away with reading one story, snapping the book shut and bundling them off to bed. Your kids will ask questions.

In fact, Marty Machowski seems to anticpate that, and at the end of each story he includes three simple questions, usually based on the story’s illustration. Our girls love these, and this allows us time to discuss the contents of our reading at its close. In fact, one daughter knows that there are three questions, and if we ever skip one, she is quick to call us out.

The illustrations, by A. E. Macha, are unlike anything I’ve seen: simple and intricate in turns, they hold our daughters’ attention and embellish each story well. Personally, I’m not always sure that I like the style of the drawings but I am consistently drawn to them, if you know what I mean. And I love the overall palette of the book: bright, strikingly bright, but with deep, dark accents as well.

If you find that your family is ready for a new story Bible, I heartily recommend this one. It takes time to read the whole thing through (there are so many stories!), but as you do, you’ll find yourself getting a clearer picture of the whole of Scripture, bead by shining bead.

The Gospel Story Bible | Little Book, Big Story

The Gospel Story Bible
Marty Machowski, A. E. Macha (2011)


Today’s summer rerun—and this is the last one!—originally appeared on May 31, 2013.