Tag: illustrated (page 1 of 50)

Our Animal Friends at Maple Hill Farm

This week’s summer rerun was first published in November of 2021—the first year all four of my daughters entered school.


That first week of September, I dropped all four of my children off at school and drove home in an empty minivan. Ordinarily, an empty minivan is a treat: a chance to put on a podcast or some music I want to listen to, or to stop for coffee and not share with anyone. But that day, I paused at a four-way stop and thought, Oh. This is normal now. This is every school morning. I didn’t put on a podcast.

What I did was spend that morning at the beach. I spread a picnic blanket on a boulder right at the water’s edge, set out my notebook, Bible, and cup of coffee, and spent the whole morning watching the water, the clouds, the sea birds. Since my eldest daughter was born, thirteen years ago, I’ve always had a small daughter with me during the day. We homeschooled for a time, and they were all there, all the time; during quarantine, we were all together, all the time. And now, during the school days, I am on my own.

I figured I’d be ambivalent about this—both very sad and also, as a staunch introvert who has never minded spending time alone, very excited. And as I sat on that boulder until my coffee was gone, reading and watching the gulls, I felt both of those things: a deep sense of grief over the season behind us (oh, but it was sweet), and a thrumming excitement for the one before us.

Our Animal Friends at Maple Hill Farm, by Alice & Martin Provensen | Little Book, Big Story

That afternoon, I picked up all four girls from school—the littlest looking disheveled, as only a brand-new kindergartner can—and back at home we ate blackberry almond muffins as they told me everything. All at once. They got a day’s worth of conversation into a slim forty-five minutes, and I soaked it all in. The eighth grader had homework (“Already!” she groaned); the fifth grader, also an introvert, had quiet things to tend to in her room. But I grabbed the littlest girls and Our Animal Friends at Maple Hill Farm, and the three of us squeezed into the hammock in the backyard for a good, long read-aloud.

Let me tell you: if you need to build a happy memory with your kids, I’m not sure you can do better than Our Animal Friends. It has everything! Copious illustrations of animals—all shapes and kinds—with their personalities distilled brilliantly into a few short words; humor (“Willow is not interested in umbrella plants”); and even, by the end, a moment of poignant sadness for “the animals that were.” Alice and Martin Provensen have created a book that is hospitable, and through it, they welcomed us into Maple Hill Farm and gave us a connection to the lives lived there. Their illustrations are warm and fun and so . . . pleasant is the word I want, I think. There is something comfortable about them.

Our Animal Friends at Maple Hill Farm, by Alice & Martin Provensen | Little Book, Big Story

Later I found each of the older girls curled up with this book in turn. They are now in the season of algebra and orthodontia, but their reviews were glowing, which gives me hope: even as the currents of our days begin to distinguish themselves into separate threads, we can still share this. We can still laugh at the antics of Big Shot the Rooster and admire Willow’s placid beauty. This picture book reminds us that we haven’t outgrown picture books yet.


Our Animal Friends at Maple Hill Farm
Alice and Martin Provensen (1974)

The Wilderking Trilogy

Without meaning to, we’ve made it a habit to reread these books every few summers. And with each reread my conviction deepens: these books are some of my very favorites, and I think I can saw with confidence that my whole family feels this way. They deal in deep truths, yet they’re written in a way that remains accessible for a range of ages. And they are funny. Good gravy, are they funny.

This summer, we’re listening to the audiobooks again, as we traverse the county en route to both parks and playdates. These audiobooks are read by Jonathan Rogers himself, and I don’t think I could hear them any other way now (though I do sometimes hear daughters practicing their “watch out” cries in the hammock, or giving the Feechie battle yell as they sail down the street on their bikes). I also splurged on the new editions of the series, so those will be time-released to our bookshelves all summer long. And I can’t wait to see them!

So I thought I’d bring forth an old review of the most excellent Wilderking trilogy (which I have–because these books deserve it–reviewed more than once over the years). This particular version first appeared on Story Warren in August of 2020.


I love many moments in The Wilderking Trilogy, but one of my favorites happens outside the story, on the faces of those hearing it for the first time: it is the Moment of Revelation, when that niggling feeling that there’s something about this story, something familiar . . . But how could that be? The child’s eyebrows work athletically as she tries to place it. No, she thinks. It can’t be the gator grabble. Whoever heard of a gator grabble? And she’s never heard of a feechiemark either, let alone a feechie—those scrappy, raucous folk of the swamp. So it can’t be that.

But—ah! Here her eyebrows leap—she does know an old story about a shepherd boy, who was anointed king while a living king still sat on the throne. She knows about that boy and his sling. She knows about his five smooth stones. And the revelation bursts from her mouth:

“David! It’s like David!”

That is the beauty of Jonathan Rogers’s trilogy. Rogers overlays a faint tracing of King David’s story with the story of Aidan Errolson, a boy who gets his start tending his father’s sheep and makes his way through pasture and swamp, war and exile, to the throne of Corenwald.

Aidan is a hero in the old style—not the broken hero, flawed and resisting his fate, that is so common in stories today. I can’t think of any major flaws in Aidan’s character or any moments when he outright rebels. When conflict arises, Aidan is the first to step in with a creative solution; he volunteers first for the hardest missions. And yet Aidan isn’t too good to be true. As a character, he’s nuanced, endearing, and, above all, believable. He belongs wholly to Corenwald, and yet, I could imagine a kid like him living somewhere in our world.

In one of my favorite scenes from the trilogy’s first book, Bayard the Truthspeaker and Aidan speak privately after Bayard’s pronouncement that Aidan is the mysterious, prophesied Wilderking:

“What if you are correct?” [Aidan] asked. “What if I am destined to be the Wilderking? How should I live?”

“The same way you should live if you weren’t the Wilderking. Live the life that unfolds before you. Love goodness more than you fear evil.”

Good advice, thought Aidan, but he was looking for something more specific. He was a loyal subject of King Darrow. Surely he wasn’t destined to lead a rebellion against his king. He didn’t quite know how to ask the question. “If I am the Wilderking, how do I become the Wilderking?” . . .

“A traitor is no fit king. Live the life that unfolds before you. Love goodness more than you fear evil.”

To every question Aidan asks after this one, Bayard simply repeats his answer: “Live the life that unfolds before you. Love goodness more than you fear evil.” And so, for the rest of the series, we watch Aidan live the life that unfolds before him. That life leads him from his home at Longleaf Manor to some unlikely places, and I take heart in watching the trail that prophecy takes to its fulfillment. This year has felt at times—for many of us, I’m sure—like one long exile in the Feechiefen Swamp. Stories like this give me hope that these times of exile aren’t permanent but are, in fact, an integral part of our own plot.

All told, I have read this series four times (twice alone and twice with my family), and every time I’m struck by how satisfying the story of the Wilderking is. Nothing in it is wasted or out of place; each twist and turn is deliberate, but each feels organic, as though the whole story grew out of the soil and swamps of Corenwald. Corenwald itself is a viney, twining, living thing with a history, topography, and mix of cultures that weave under and around Aidan’s story to give it an unforgettable texture. The land extends beyond the boundaries of this story, so fully developed that I’m certain Rogers knows much, much more about Corenwald than we see in this trilogy.

I recently had the opportunity to take a writing class from Jonathan Rogers, and in it he urged us students to give our readers “something they couldn’t get for themselves.” In The Wilderking Trilogy, he gives us readers just that: a ticket to a place we couldn’t visit on our own. He gives us a feechiemark and safe passage through the swamp.


You can order the new edition of the first book (and pre-order the other two) in the Rabbit Room store or on Amazon. You can buy the audiobooks here. I don’t usually tell you what to do, but in this case, I sure will: buy the books and the audiobooks. Listen to the audiobooks, and keep the print volumes around for your readers to discover (and to marvel at the illustrations). This series is worth it!

Indescribable

This week’s summer re-run originally published in June 2020, back when my kids were so small.


Not long ago, a single spider could clear any room of our house. (I take no pride in saying that I was often the first one to leave.) One report of a spider in the play room and no one would go up there again until Mitch had presented evidence of a body. One web on the front porch, and no one would use the front door until every corner of the porch had been swept.

But now we have pet spiders—three of them. Goldie the garden spider hangs her web outside our dining room window; a wee baby spider just set up shop over a planter on the patio. And Rosie, the incredible redback jumping spider, tucked her burrito-shaped web into a crack in our raised garden bed. We visit her every day and often, to Rosie’s chagrin, the little girls hover right over her, chatting and pointing.

What changed?

Indescribable, by Louis Giglio | Little Book, Big Story

We learned more about spiders. They became not a whole scary lot of bugs that run, as C.S. Lewis once unforgettably observed, like disembodied hands, but individuals: a male house spider may be horrifyingly large, but now we know he’s just hanging out in the corners of our dining room, looking for a lady friend. A garden spider isn’t spinning a web across our porch steps out of spite, but because she’s hoping to snack on a few of the bugs that try to snack on our hellebore.

Just as this shift isn’t limited to spiders (we now have snail friends and roly poly friends, and it’s all I can do to deter the younger girls from keeping ladybugs in their pockets), it isn’t limited to one book either. But if I had to choose one book that has taught us to love the world around us a bit better and to see it in a little more detail, I’d choose Indescribable.

Indescribable, by Louis Giglio | Little Book, Big Story

Indescribable sits in the windowsill near our table and hardly anyone grumbles when we pull it down to read at dinner. This book is a curious mix of Scripture, scientific exploration, devotional readings, and fun “Bet you didn’t know this!” facts about our world.

Each reading looks at some incredible aspect of the world and considers, without reaching far for the connection, what that aspect says about God. The death of stars; our respiratory system; shark’s teeth—each of these topics spark wonder in us, and each of these can teach us something about God. When so many people assume that God and science stand in opposition to one another, Louis Giglio shows us that science does not inevitably lead to skepticism but can instead teach us to recognize, through even unlikely things like spiders and snails, the personality and joy of God.

Indescribable, by Louis Giglio | Little Book, Big Story

Giglio has introduced us to incredible facts about whales and volcanoes and trees and snow. But he doesn’t just point at those things and say, “Isn’t this cool? Isn’t it great how this happens?”—and then walk away. Instead, he points from the tree to the Tree Maker and says, “Look what this says about him. Look how purposeful and wonderful this tree is. Enjoy it. And through it, know the one who made it.”

“The heavens declare the glory of God” (Psalm 19:1), and so do redback jumping spiders named Rosie. Rejoice.


Indescribable: 100 Devotions About God & Science
Louis Giglio; Nicola Anderson (2017)

I Think I Think A Lot

Bedtime at our house involves a fair amount of bustling, some snuggling, some tooth-brushing, and a lot of talking—so much talking. I like to joke that I’m a part-time counselor these days, now that all four girls are fluent conversationalists facing challenges that grow right along with them. Often the things they worry about step politely to the side during the day, when there is so much else going on. But at bedtime these worries stride down to the footlights and demand to be heard, and so one daughter or another will drift downstairs and sidle up to one of us, hoping we’ll ask them what’s wrong.

Often, the problem is as big and as broad as this: “I don’t know how to turn my brain off!” To which I can relate.

And so I, with my houseful of overthinkers, am grateful for Jessica Whipple’s sweet book, I Think I Think A Lot, in which the main character wrestles with the fact that she just seems to think and worry so much more than her peers do. The result is a series of insights about her friends that contrast the way she thinks about the world with the way they think about it. The story serves as a fun introduction to the different ways we all think about the world around us and invites readers to recognize themselves in one or other of the characters. And to know that, wherever they land, these differences are good and interesting.

Whipple writes from her own experience with OCD, which provides a helpful backdrop for the book. And she writes broadly enough that I Think I Think a Lot can help kids from all sorts of backgrounds begin to find words for the way they see the world—and to understand better how their friends and siblings might see it differently.

At our house, I think we all think a lot. And you know what? We can glorify God in that, too.


I Think I Think a Lot
Jessica Whipple; Josée Bisaillon (2023)


Though I did receive a free copy of this book for review, I am not being paid to promote it. My enthusiasm for this book is abundant and purely voluntary.

A Visual Theology Guide to the Bible

Just as I don’t know what I think until I write it down or say it out loud, I often don’t truly grasp an idea until I see it spread out in front of me. And so I love resources, like Tim Challies’s A Visual Theology Guide to the Bible, that deepen our family’s understanding of Scripture by allowing us to explore the themes and structure of Scripture in a visual way.

This book is meant as an introduction to the big picture of the Bible—how all 66 books fit together, for example, or how the Old Testament relates with the new, and so much more. The book isn’t all graphics, but it does contain a lot of graphics, and each one explores some aspect of Scripture in a way that helps readers envision key elements of our faith. Some, like the intricate image interweaving Old Testament prophecies with the stories of Jesus fulfilling each one, are so beautiful they elicit a sense of awe. Others are clean and simple, and illustrate the truths of the faith with the foam skimmed off so we can see into its depths more clearly.

Though this book isn’t specifically intended for families, my teen daughters read and enjoyed it, and I could see it serving as a great devotional resource for families with older children (or homeschooling families! This would be a great spine for a Bible curriculum). Or read A Visual Theology Guide to the Bible for yourself and allow it to deepen your own understanding of the Bible’s beauty, complexity, and simplicity.


A Visual Theology Guide to the Bible: Seeing and Knowing God’s Word
Tim Challies; Josh Byers (2019)