Tag: illustrated (page 11 of 50)

Easter is Coming

I’m used to feeling like an oddball during Lent—fasting privately and aware, perhaps, of a few other friends from church who spend the weeks leading up to Easter forgoing good things and meditating on what is in us that made the cross necessary. We gather at church on Sundays and sing the “Kyrie Elieson”—”Lord, have mercy upon us”—while our neighbors go about their spring-time business.

But last spring, I saw grief, fear, and uncertainty in the eyes of our neighbors, cashiers, and teachers (as they passed my daughters’ school books through the passenger window of my van). We all felt it: This is not how it’s meant to be. Something has gone horribly wrong.

Easter is Coming, by Tama Fortner | Little Book, Big Story

This spring is, already, gloriously different. Last week I took my daughter with me to the store for the first time in a year. We had dinner with vaccinated family members—indoors, not around the firepit in the driveway. The neighbor I’ve brought groceries every so often told me that she’s almost clear to do her own shopping, and I wanted to cry and hug her right there in her front yard.

Crocuses, snowdrops, chickadees—they’re all going about their usual spring business, but I want to beam when I see them. They are still going! We are still here. We aren’t finished with this pandemic, of course, but we’ve made it this far.

And Easter is coming.

Easter is Coming, by Tama Fortner | Little Book, Big Story

Tama Fortner’s picture book is full of movement, color, and light—it captures all this perfectly. Beginning with the beginning, Easter is Coming follows the story of Scripture from the garden of Eden onward and shows how every chapter of the story points to Jesus’s resurrection—and how even our chapter, now, points back to it.

I am a little in awe of how she manages this—in a board book, no less!—but she succeeds beautifully in showing how Jesus’s death and resurrection is the climax of all Scripture. Wazza Pink’s illustrations give the story texture and a lovely sense of abundance.

We are not out of the woods yet, I know. I know. And it’s tempting to believe that a “return to normal” is the thing our hearts truly long for. But Easter reminds us to set our sights higher: whatever comes next, the cross is behind us, and Jesus’s resurrection is finished, for our sake. The next time we see him will be his true return; he will set all things right. Easter is coming!


Easter is Coming
Tama Fortner; Wazza Pink (2019)

The Fabled Stables: Willa the Wisp

It takes a certain sort of magic to write a book that appeals to a whole family: preschooler to middle-schooler, adults as well. But The Fabled Stables, Jonathan Auxier’s newest book, has that magic. Auggie is a child with a job (but not the kind of job mentioned in Auxier’s other book Sweep). He works in the Fabled Stables as caretaker of one-of-a-kind animals.

The Fabled Stables: Willa the Wisp, by Jonathan Auxier | Little Book, Big Story

When I first ordered this book I expected it to be—like Auxier’s other books—a chapter book for older kids. But no! The Fabled Stables is a chapter book for young readers, every page of it exuberantly illustrated by Olga Demidova. My older daughters loved finding the Easter eggs linking the Fabled Stables to Auxier’s Peter Nimble books; my younger daughters, who have not yet received their invitations to Peter Nimble’s world, adored everything else about the book.

The Fabled Stables: Willa the Wisp, by Jonathan Auxier | Little Book, Big Story

Best of all, The Fabled Stables seems to be have a sequel already in the works, so we have many more delightful evenings of reading to look forward to.


The Fabled Stables: Willa the Wisp
Jonathan Auxier; Olga Demidova (2020)

The Miraculous Journey of Edward Tulane

I recently realized I’d been skimping on read-alouds by choosing books my eldest daughter had already read, or by rereading old favorites. There’s a place for that—of course there is. But I’d leaned on old favorites for a couple of years and couldn’t remember, when pressed, when I’d last read a book to the family that enraptured her the same way it enraptured the younger girls.

So I proceeded with haste to the pile of book in our bedroom, the one by my desk, made of books I set aside to pre-read and release as needed into the wilds of the family library. And from the top of the pile, I drew Kate DiCamillo’s The Miraculous Journey of Edward Tulane.

The Miraculous Journey of Edward Tulane, by Kate DiCamillo | Little Book, Big Story

How to describe this book? Everything about it—story, illustrations, even the format and font size—are just slightly unlike any other book we own. It’s a chapter book, but the way it’s arranged, with a large font and full-color illustrations, makes it accessible to young readers. The illustrations by Bagram Ibatoulline (Great Joy) are stunning and add a beauty and gravity to the story.

And the story itself? Edward Tulane’s journey reminds me of The Velveteen Rabbit in the way it lends dignity to a toy rabbit and tells of his journey from toy to real rabbit. Edward’s journey, though, isn’t about becoming a real, live rabbit: his journey to become “real” is a deeper, more subtle one. It takes him outside the nursery and into the world, where he learns—one heart-breaking lesson at a time—what it is to love. And to love not just one person one time, but to love again, even after he learns that loving another opens him up to the possible pain of loss. Edward Tulane learns to love in a way that is costly to him.

The Miraculous Journey of Edward Tulane, by Kate DiCamillo | Little Book, Big Story

This book spoke deeply to me, and I could see it working quietly on all of our daughters as we read it aloud before bed. At a time when it’s tempting to close ourselves off from those outside our household, rather than long for a closeness that we cannot have right now, I am profoundly grateful for The Miraculous Journey of Edward Tulane. This book reminded us that love is worth the risk, worth the cost. And that costly love will be rewarded.


The Miraculous Journey of Edward Tulane
Kate DiCamillo; Bagram Ibatoulline (2006)

Mary’s First Christmas

Scripture doesn’t tell us much about Jesus’s childhood—just that it happened, and that he never sinned. But what was it like to be the sinless son of God, a perfect child in a fallen world, born to a mother to whom some fragrance of disgrace must have clung?

Mary's First Christmas, by Walter Wangerin, Jr. | Little Book, Big Story

Walter Wangerin, Jr., writes a beautiful book about those years. Told from Mary’s perspective, Wangerin imagines the child Jesus asking again to hear the story of his birth. We see his trust and her faith, as again she tells him what we call the Christmas story, but what was, to him, his story.

Mary's First Christmas, by Walter Wangerin, Jr. | Little Book, Big Story

Like Peter’s First Easter (also by Wangerin), this is a longer picture book, full of human emotion and honesty. Reading it, we’re not tempted to think That’s how it was, but That’s how it could have been. The characters’ responses ring true and point us back to what we do know about those years: Jesus was God made flesh, a holy and perfect God bound by all the limits of humanity—and childhood. And his mother was young. She trusted God. Whatever it cost her she said, on our behalf, “Let it be to me according to your word” (Luke 1:38).


In other news, The Good Book Company (the publisher that brought us the wonderful Tales That Tell the Truth series) shared a list this week of 7 Christian book reviewers to follow in 2021—and they were kind enough to include me in the list! If you’re on the lookout for good books (as I assume you must be if you hang out here), I encourage you to browse the list and get to know the other reviewers—there are some excellent reviewers on the list, and all of them were new to me!


Mary’s First Christmas
Walter Wangerin. Jr.; Timothy Ladwig (1998)

Letters From Father Christmas

The Christmas that J.R.R. Tolkien’s son was three, he found a letter addressed from the North Pole. In a shaky, spidery hand, the letter’s writer introduced himself as Father Christmas; he enclosed a self-portrait for Christopher, who had wondered what he was like.

Letters From Father Christmas, by J.R.R. Tolkien | Little Book, Big Story

Every year after that one, Tolkien wrote a letter for his children from Father Christmas. He illustrated many of them and, as Father Christmas, described the adventures of the North Polar Bear and the Red Elves, of the Snowmen and the goblins. These stories clearly flow from the same source as The Lord of the Rings and The Hobbit, but there is a coziness to them, the warmth of a father writing for his kids alone.

Letters From Father Christmas, by J.R.R. Tolkien | Little Book, Big Story

After Tolkien’s death, his children collected and published these letters, as well as the illustrations. Though the original letters were meant only for his children, Letters From Father Christmas is still delightful to those of us outside his household: in our home, it is one of our most beloved Christmas books, the one I often find one daughter or another curled up with while a cat lies draped across her lap. Tolkien aimed for the hearts of his children, but he won our hearts as well.


Letters From Father Christmas
J.R.R. Tolkien; ed. Baillie Tolkien (1976)